Studio

I work primarily with clay creating sculptures that appear to have grown, melted or become encrusted over time. Domestic objects, architecture, jewellery and imagined relics shift into geological formations, biological growth and speculative artefacts.

I'm fascinated by the point where recognition begins to fail—where an object feels both familiar and strangely transformed. Rather than representing the world as it is, my work imagines how objects might continue to evolve. Each sculpture sits somewhere between archaeology, geology and imagination, inviting viewers to invent their own stories.

Working with clay allows transformation to become part of both the idea and the making. I fire in a gas kiln, where atmospheric conditions and reduction create subtle shifts in colour, texture and surface. I often incorporate coloured glass, embracing the unpredictability of the firing so that each piece emerges with its own unique character.

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